Painting With Fire (PWF) 2024/25
This is a great collection of videos from 27 encaustic artists teaching the way they work and the methods they've invented working with encaustic paint. And you get two videos from each artist! But if you purchase the set from me, it helps me out and you'll still get access to all the other artist. And there is also an early bird special ($249.00 for a billion of hours of instruction, well maybe not a billion) if you jump on now. And, artist's videos will be added once the program begins with the new 2024/25 season. If interested follow link below. Oh, and you can view the videos as often as you like.
4 day workshop in San Miguel Mexico!
September 30 through October 3, 2024.
(this is a good one people)
Working with encaustic paint, digital imagery, and mixed media, this workshop will cover a lot of options while incorporating photographic images with materials such as India ink, powdered charcoal, graphite, acrylic paint, colored pencil, Japanese papers, stained paper, hand generated marks & patterns, as well as typical collage materials, drawings, letters, etc., and more. And by using a collage approach we will assemble, reconfigure, distress, decompose, rearrange and create one of a kind pieces, while encompassing your own digital images. I will print your image files on Japanese papers before the workshop, and bring them with me to Mexico for you to work with. I will also include working on glass with encaustic (as well as without encaustic). This workshop will take place at Studio E in San Miguel. The cost for four days is $900.00, not including lodging, but lunches will be provided during the class. $250.00 to reserve your spot (space limited). For more information contact me at email@example.com or to sign up contact Tessa at https://www.tessamckim.com/workshops.
San Miguel de Allende is a magical place to be. Studio E is located within walking distance from the center of town, or you can take an easy bus ride from the studio to the main square. (I've done both without speaking any Spanish). But in addition to the workshop I will be offering, there is always something of interest going on in town. It is a very colorful place! Oh, and if you know my wife Laura from her R&F days, she is also teaching the week before me at the same studio. You can take both workshops back to back if you want! If you don't know what I offer, or need a reminder view the short video below-
The studio at Tessa's is an amazing place to work, and even if you don't want to take the workshop from me, you can rent the space In San Miguel for yourself at a very, very reasonable price. You can have your own private art getaway. (I will do that myself sometime). Private access, private studio, private apartment. Be on your own in San Miguel! For rental costs; Contact Tessa McKim for more info.
APRIL 19-21, 2024 | PHILADELPHIA
ABOVE & BELOW - PART II
To be on the wait list contact Leah Macdonald
Instructors: Leah Macdonald and Wayne Montecalvo
Saturday & Sunday from 11am-6pm: Two full studio days of instruction in Leah’s studio with Photo Session & Model & Studio time.
(Studio open Saturday & Sunday until 9pm for independent work)Working with photography and layering using encaustic and mixed media.
Instructors: Leah Macdonald and Wayne Montecalvo
Meet & Greet Friday 4-7pm
Workshop Includes: prints, wax supplies, encaustic paint, tools for painting and gluing, paint and lots of art supplies.
Materials Needed: laptop, camera, wood panels or alternative substrates.
Cost: $1200 (50% deposit to reserve your spot — payment in full due by March 15)
This workshop will address ways to work with digital images printed on Japanese papers, as well as Hahnemuhle paper that combine images with wax, graphite, acrylic paint, encaustic paint, monoprints, geliplates, mark-making, pigment sticks, and a bunch of other techniques!
Leah and Wayne each have a unique way of approaching photographic images. Embracing the use of hand-made elements and including them in the mix by incorporating wax, mark-making, and mixed media. This workshop will allow students to go beyond the capture of a camera. Both artists stress the importance of applying ways to physically alter images while working with methods that normally embrace repetition, stability, and predetermined results.
Each student will have their own images printed by Wayne on Japanese papers before the workshop. In addition, we will have a live model to photograph and a single image for each student from that shoot will be printed by Leah on Hahnemuhle papers.
Combining a variety of media has always been part of Wayne’s approach to expand an idea into a new direction. Wayne’s current techniques push his portrait works to go beyond the person, beyond the face, and to transform the image into something other than a headshot. Rather than use a face simply to identify, Wayne’s approach is to offer options, or directions that change the expected into something else. The methods applied in his work challenge the restrictions of a digital photograph by turning the image into something unique and one-of-a-kind.
Leah’s current techniques include digital photography, collage and painting. Combining beautiful papers of various weights and opacity Leah alters the original subject matter to create a fantasy or dream image. Her art tells stories using visual elements like flower stencils, found letters and mark-making. The layers are used to cover and veil the subject and control what is seen and imagined in the art. Leah is inspired by alternative photographic techniques and the alchemy of the darkroom so her work is organic and shows the intensity of her handling the surface with heavy equipment like a razor blade and a torch.
Friday Evening, 4-7pm:
- Meet & Greet (Wayne and Leah do a little demo) show some art and have some snacks
- Photograph model in Leah’s studio
- Edit and print photos to glue on panels
- Demonstrate alternative ways to make art on thinner papers. Gelli plate prints, monoprints, ink spills, splatters and use of drawing and painting methods to create lightweight textures to use as overlays in the wax on Sunday. Leah will print two 11x17 prints for students (rice paper, store bought lightweight paper, Tengucho, party napkins, etc.).
- Wayne’s demo: layering papers with encaustic wax and embedding textures over imagery to create double exposures.
- Leah’s demo: embedding thin paper over wax and painting with encaustic and pigment sticks
- Work time in studio Sunday afternoon.
- (The studio is open until 9pm Saturday & Sunday for independent work after workshop instruction.)
So if you are interetsed, you can sign up with Leah and contact her on her site; https://www.wax-flowers.com/workshops or if you want to send me a check for the $600.00 deposit to hold your spot, you can contact me at firstname.lastname@example.org.
17th International Encaustic Conference
"Unlikley Alternatives" workshop June 3&4 2024.
I will be teaching a two day workshop in Provincetown, Cape Cod, MA, at Truro Center for the Arts. The workshop will include images (your images) printed on Japanese paper, combining encaustic, acrylic paint, mono prints, Idia ink, stained paper, mixed media, etc. Image files from participants will be requested and printed before the workshop to be used during the class. This workshop is in conjunction with the 17th international Encaustic Conference where I will also be presenting a demo for that event. For more information on the workshop please visit https://www.castlehill.org/prepost-2024/post/montecalvo
Small Group/ Two Day Workshop at R&F
Wednesday & Thursday, December, 27 & 28, 2023. 9am-5pm. Limit 4 people.
This will be the last workshop I will be teaching at R&F Handmade paints (the workshop program will be ending early in 2024). If you haven't had a chance to visit the factory in Kingston, NY, and work in their amazing workshop room, now is the time. This workshop will not be announced on the R&F web site. So, lunch and accommodations are not included, but all R&F paints are included, and tools will be available for use during the class. You just need to bring any panels you plan to work on. The workshop will take place at the R&F Handmade Paints factory in Kingston, NY.
The workshop will teach the methods I use combining digital images with wax, and incorporating mixed media; India ink, stained paper, pencil, powdered graphite, monoprint, acrylic paint, etc. We will be working on Japanese papers, and I will print your images before we meet for the workshop. (So you'll need to get them to me before December 13). Cost for the two days is $450.00, check or paypal.
Feel free to contact me for more info.
Small Group/ One Day Workshop at R&F
Tuesday, November 21, 2023 (workshop filled)
This will be one of the last workshops I will be teaching at R&F Handmade paints (the workshop program will be ending early in 2024. If you haven' had a chance to visit the factory in Kingston, NY, and work in their amazing workshop room, now is the time. I will teach one other (2 day workshop) in the month of December, also limited to four students. This workshop will not be announced on the R&F web site. So, lunch and accommodations are not included, but all R&F paints are included, and tools will be available for use during the class. You just need to bring any panels you plan to work on. The workshop will take place at the R&F Handmade Paints factory in Kingston, NY.
The workshop will teach the methods I use combining digital images with wax, and incorporating mixed media; India ink, stained paper, pencil, powdered graphite, monoprint, acrylic paint, etc. We will be working on Japanese papers, and I will print your images before we meet for the workshop. (So you'll need to get them to me before November 15). Cost for the day is $275.00, check or paypal.
Feel free to contact me for more info.